Understated and refined, the Kyoto table by architect and designer Gianfranco Frattini is the perfect blend of design vision and master craftsmanship. In the early 70s, during a trip to Japan to study the work of the local craftsmen, Gianfranco Frattini visited the craft workshops of Kyoto together with expert carpenter Pierluigi Ghianda, who would become his friend and collaborator.
Inspired by the processing techniques and aesthetics of these places, the designer came up with the idea for the joint that would form the basis of the table of the same name, production of which began in 1974. Kyoto immediately became synonymous with a concept of understatement which, as in the best Italian design tradition, combines a brilliant idea with impeccable execution. In the Kyoto table the construction concept becomes the object itself. The absence of decorative elements exalts the beauty of the raw material – the Canaletto walnut inserts have a precise strengthening function – requiring great technical ability and care as well as an in-depth knowledge of the material. Revisited by Poltrona Frau with complete respect for the original project, the Kyoto table reflects the skills and expertise of a new wave of artisans, heirs of the rich Italian wood crafting tradition, and stands alongside Albero and Turner as an example of high-end craftsmanship.
The black finish, also borrowed from the original version that Frattini designed together with the carpenter, is created with a black open-pore varnish which is then applied to the solid beech wood structure.
In this particular version, in order to maintain the graphical and mechanical effect of the legs inserted in the grating, Frattini decides to colour the tops of the legs with a vibrant red lacquer in homage to the Japanese culture that inspired the project. With this expedient the position of the legs is always visible due to the colour contrast with the tabletop, constituting another distinctive feature of the product.
The Kyoto table forms part of the permanent collection of the Design Museum at the Milan Triennale.
Design by Gianfranco Frattini 1974
Production 2020, renewed 2021
Dimensions:
Materials: Extra light solid beech wood with solid Canaletto walnut inserts at the end of the boards that make up the top
Legs: slide-off counterpoise legs that can be positioned as desired
Details: the Poltrona Frau logo and the designer’s signature are laser engraved on one of the faces of the leg supports
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